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Want to Watch The Music Man.
Movie Title: The Music Man The Music Man is available for streaming or downloading. |
Looking for the musical that beat WEST SIDE Legend for the Tony Award? You’ve found it here, in Meredith Willson’s THE MUSIC MAN — and its appearance on DVD, in widescreen format and with all the bells and whistles, is long overdue.
Pop the disc in, and you’ll immediately be taken to the “Fair Here In River City” documentary (you’ll have to press the MENU button on your DVD controls to rep to the main menu so you can actually concept the movie — why the disc goes immediately to the documentary is rather unfamiliar) . Hosted by Shirley Jones, who unexcited looks enormous, the honorable, too-short documentary is crammed with lots of qualified stories and bits of trivia, in the words of several of Those Who Were There. You’ll gather out, for instance, which segments were actually filmed first, how amazed Susan Luckey was at Robert Preston’s ability to lip-synch “Inconvenience” during filming, and why Shirley Jones wore so many frills and flowers on her dress in the scene at the footbridge.
As for the film itself — the print is handsome, and as someone who had only experienced the film in pan-and-scan format, it is a delight to finally search for entire dance sequences without the cropping. And you’ll finally be able to survey all four members of The Buffalo Bills barber shop quartet (the unpleasant fellow singing bass could never be seen in TV-formatted versions) .
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There are other, smaller moments that have always cried our for the letterbox format, and if you peep both versions closely, you’ll peruse the exact advantages in seeing the entire scene as it was shot. For example, one particularly disorienting scene in pan-and-scan format is the “Bewitch A Tiny, Talk A Little/Goodnight, Ladies” sequence, when Professor Hill is speaking with Mrs. Shinn and the town ladies about Frail Miser Madison, and dismebodied voices drift in from off camera. At one point, Mrs. Shinn says, “Miser,” and an off-camera squawk says, “Madison,” causing Mrs. Shinn to grimace. In pan-and-scan, it looks like a mistake; in widescreen format, the speaker is finally visible to Mrs. Shinn’s apt, bringing the scene together in a logical fashion. Sounds like a trivial moment, I know, but that scene in pan-and-scan has grated me for years!
The DVD also contains a theatrical trailer, but it’s not the trailer for the new 1962 release, but for the re-release a number of years later. It’s smooth an sharp curiosity, featuring a reworked version of the “76 Trombones” sequence with Preston signing current lyrics about the film.
If there’s any shortcoming in the disc, it lies in the sound quality. You’ll have to crank the volume up a bit to hear everything properly, but beware — the moment you hit the MENU button, you’ll be blasted by and ear-splitting version of “76 Trombones” on the menu camouflage. Ouch. Hit Soundless just before you touch MENU. You’ll thank me later.
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It’s a frail out cliche, but they really DON’T execute musicals like this any more. And if your only experience with THE MUSIC MAN has been with the pan-and-scan format, do yourself a favor and grasp up either the DVD or the letterboxed VHS format. You really WILL realize what you’ve been missing.
I adore this movie. As laughable as it is — a goofy dwelling, absurd over-the-top characters, the wacky “assume system” — it is objective a whole lot of fun. Robert Preston sparkles as the fly-by-night con artist/salesman who unbiased happens this time to accept his foot caught in the door, and who better to fetch that foot than Shirley Jones, who is as dazzling and talented a leading lady as has ever graced a enormous camouflage musical. Ron Howard is as comic as a kid can be in the movies, and the music will cease with you long after the movie is over.
The film also has a gargantuan cast of supporting character actors and comedians, not to mention the unbelievable Buffalo Bills. I appreciate the anvil salesman character (THAT’S a enormous line of merchandise for a traveling salesman!), and my celebrated song has to be the pool hall song, “There’s wretchedness in River City.” The movie, droll as it is, also has its touching moments, especially when Professor Harold Hill, standing on the footbridge, confronts the gap between his dreams and his life for the first time, and really realizes he is in like with the fair librarian. For pure fun and entertainment, it’s hard to rep a better movie than this enchanting but affectionate kidding of the Hawkeye Set, and hard to fetch a more fun couple than the exciting Robert Preston and the glowing Shirley Jones.
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