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Here’s a movie for dog lovers, the elderly, children of divorce, FOBs (Friends of Birds), frail Boy Scouts, people yearning for adventure, and anyone who has ever loved… and lost. Up is for everyone. It made me laugh out loud, and it made me sob.
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I understanding it would be tough for Up to match the emotional power of Wall-E. The two Pixar films are similar in their lack of dialogue in the first act, which helps deepen the emotional impact. Up begins with Carl, a terrified young boy star-struck by a famed explorer; and kookie Ellie, who has a similar obsession. The two kids become rapid friends, and shriek to one day recede to Venezuela’s Paradise Falls. After getting married, they assume their dream home and fix it up, hoping to have it with children. Carl and Ellie’s life together from childhood through feeble age is depicted, silently, with delicacy and subtlety. The first 15 minutes is like a celebration of a overjoyed marriage, and you truly feel Carl’s afflict when he is left alone. He sits slumped in his chair, talking to the house as if it is the missing Ellie.
When developers finish in on Carl’s beloved home, he decides to fulfill his promise to Ellie and go to Paradise Falls. A old balloon vendor, Carl lifts his home with hundreds of smart balloons. Stowing away on the porch is Russell, a bulky, mettlesome kid trying to glean a scouting badge.
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After landing in Paradise Falls, the mature man and the puny boy are joined by a golden retriever named Dug who can talk with his collar, and a substantial rare bird that bonds with Russell (he names her “Kevin”) . Dug is priceless: spot-on for every dog that ever lived, including an obsession with squirrels. Through a series of halt calls and adventures, the quartet vanquishes a villain, saving the day. And Russell earns his scouting badge.
In the process, Carl learns to let go of his dismal mourning for Ellie, and live life again. When this happens, a truly magical thing happens. Before, Carl’s craggy face is gray and monochromatic. At the moment of his transformation, Carl’s face is awash in color, and he is surrounded by attractive hues. It reminded me of The Wizard of Oz, when Dorothy steps out of her gray world and into a candy-colored Munchkinland. Carl, too, enters a whole modern world.
Up is a deeply emotional film, chunky of truth. It’s the year’s best film. Pick Up another triumph for Pixar.
Someday, Pixar is going to do it — they’re going to obtain an emotionally uninspiring, lackluster bright movie. But in the meantime, they’re unexcited putting out toothsome fascinating movies like “Up,” which defies the usual kid-movie conventions by starring a crotchety musty man. It’s a charming, fun microscopic adventure narrative with flying dogs and balloon-powered houses, but underlying it is a bittersweet limited legend about loss and cherish.
As a child, the timorous Carl Fredricksen bonded with the oddball Ellie over their shared treasure of adventure, the explorer Charles Muntz, and Paradise Falls. They later married, recede into their “clubhouse” together, and lived a long, sadly childless life together. When Ellie died, she had never fulfilled her dream of going to Paradise Falls.
Now crotchety, alone and harassed by a loyal estate developer, Carl (Ed Asner) is finally ordered to a retirement home. But he isn’t going quietly — instead he attaches thousands of balloons to his house and floats it away toward South America. But he accidentally takes an keen, naive Wilderness Explorer (a thinly-veiled Boy Scout) named Russell (Jordan Nagai) along for the poke. Unpleasant kid was impartial trying to procure an “assisting the elderly” badge.
And the jungle bolt to Paradise Falls turns out to have some surprising obstacles: a gargantuan emulike bird that Russell names Kevin, a talking dog named Dug (”I am jumping on you, bird!”), and a mysterious conventional man who lives deep in the heart of the jungle. Turns out the used guy is very familiar to Carl — and to seize Kevin, he’s willing to sacrifice Carl and Russell.
Industry experts were babbling about how “Up” wouldn’t be as well-liked as the previous Pixar movies, because the protagonist is basically a crusty traditional coot. Well, shows what they know. It ended up becoming one of those classic movies that somehow appeals to all ages — while the humor and action appeal to children, adults can enjoy Carl’s savor for his lost wife, and his uninteresting realization that he’s clinging to the past.
In fact, the first ten minutes are some of the most heart-tugging, quietly bittersweet scenes I’ve seen in a long time. Without a word, they present all the ups and downs of a realistic marriage — joys, sorrows (Ellie’s inability to have children), growing dilapidated together, and finally loss.
But it’s not a depressing movie by any stretch — in fact, it’s like a childhood fantasy reach to life, complete with a floating house suspended on hundreds of balloons, and biplanes piloted by a talking dog army.. Plenty of titanic dialogue (”Do you want to play a game? It’s called Leer Who Can Go the Longest Without Saying Anything.” “Icy! My mom loves that game!”) and an action-packed climax in an musty airship.
Ed Asner is absolutely perfect as ubergrouch Carl — crotchety, grumpy, and obvious to fulfill his wife’s lifelong dream, but gradually realizing he’s clinging to the past. Nagai is equally perfect as Carl’s polar opposite: a naive, chattery Scout who is obvious to reunite Kevin with her baby chicks. And the utterly adorable Dug and the other dogs deserve special gape. These creatures are utterly hilarious — they talk (”I hid under your porch because I adore you”) and act the plot dogs would if they talked. Three words: cone of shame.
The two-disc edition is going to have some very nice extras, but once again people with regular-def DVDs are going to earn shafted because the Blu-ray edition will have a bunch of queer stuff. Grr. As for this one, there’s a digital copy, the director’s audio commentary, kinda-alternate-ending “The Many Endings of Muntz,” and the documentary “Adventure Is Out There” about the research for this movie.
There are also a pair of adorable bright shorts. “Partly Cloudy” has a much-abused stork having to yell potentially corrupt baby creatures from a kind but clueless cloud. And “Dug’s Special Mission” is a sort of backstory for the adorable Dug, explaining what the heck he was doing before he met up with Carl and Russell.
“Up” continues Pixar’s running tally of gloriously appealing, emotionally layered movies that the entire family can like. With that, I have only one more thing to say… SQUIRREL!
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