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Charles Bronson (1921-2003) left us a legacy that spanned nearly five decades of acting, in many different styles. Though reliable at comedy as well as drama, he will mostly be remembered as a tough and gritty man of action, remaining very macho and dazzling contrivance into his gnarled, craggy later years, never losing that perspicacious glint in his eyes, or his masculine appeal.
“The Mechanic” is one of his best; a recent film with a taut script by John Lewis Carlino, that remains animated after many years and many viewings.
The first memorable 15 minutes of this film are tranquil except for the tense, eerie net by Jerry Fielding, and site up the character of Arthur Bishop, who is a hit man with expensive tastes and a heart of steel. It is a portion that fits Bronson like a velvet glove, with its complexity, bravado, and action sequences, which are well paced by director Winner, and photographed by Richard Kline. Jan-Michael Vincent is pleasant as the cocky, cold-as-ice young man Bishop takes on to utter his “trade”, and Jill Ireland (who was married to Bronson for many years) does well in a miniscule fragment.
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Michael Winner made several films with Bronson, another approved being “Chato’s Land”, which is an novel, and very special Western.
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The intricacy of the space will support you guessing; this is not your typical, predictable action movie, and like most films made in the ’70s, it is fun to behold, with its nifty fashions and slightly tacky décor.
A must gawk for those that like knowing thrillers, and a titanic film to celebrate Charles Bronson’s life and talent
Arthur Bishop (Charles Bronson) is a ‘mechanic’ — a contract killer. Given an assignment, Mr. Bishop studies his target’s habits, lifestyle and schedule, seeking weaknesses and vulnerabilities. Mr. Bishop then decides where and how to complete his assignment, using martial arts, weapons, explosives, or anything else deemed indispensable. Mr. Bishop is an expert in a stress-filled occupation, but Mr. Bishop is beginning to experience fright attacks in his daily life.
Steve McKenna (Jan Michael Vincent) is the jaded son of a deceased crime boss. At Steve’s urging Arthur accepts Steve as an apprentice. Arthur teaches Steve the tricks of the mechanic’s trade. Their first assignment together is awkward. Their next assignment is a bustle job and it blows up in their faces …
Charles Bronson’s career is marked by violent characterizations. The Arthur Bishop role is challenging because Arthur Bishop is an resplendent — Arthur Bishop treats contract killing as an art construct. If Charles Bronson normally plays bludgeon characters, Arthur Bishop is a scalpel. And Jan Michael Vincent plays Steve McKenna both with sensitivity and with his usual graceful bound. Coupled in a well-written residence, Bronson and Vincent’s performances fabricate “The Mechanic” a memorable film.
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