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I’m mild graceful original to this wide original world of anime, so I can’t really compare Memories to other works in the genre. I can say that it is a most bewitching and impressive production made up of three very different short films from some of the leading names in anime. I don’t consider the visuals are quite as fair as that of more unique anime films, but the artistry of these three episodes certainly does benefit account for the very different worlds in which the action takes residence and demonstrates the compelling, visceral powers of anime. We have the famous Katsuhiro Otomo to thank for this project; each of the three films, if I’m not wrong, was adapted from a short manga share in Otomo’s graphic new Memories.
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Episode One is Magnetic Rose, directed by Koji Morimoto of Animatrix fame. This is a shapely, haunting chronicle of a most recent region rescue mission. The crew of a area garbage collection ship responds to a afflict signal from a dull portion of residence. Two crew members board the debris-shrouded vessel and enter a completely different world, one fueled by the memories of a comely young opera singer who apparently retreated to the isolation of area following a tragedy in her life. I won’t pretend to have understood every thing about this epic, but it is wholly involving. The men encounter lavish rooms including opera houses and living quarters fit for a princess, holograms and other visual artifacts of “the young Madam” Eva enchanting guests and audiences, and decayed artifacts that sometimes reach to life in front of their eyes. Each man is soon drawn into the smart, gleaming world of Eva’s memories, but only one recognizes the unreality tedious the shining scenes he encounters – in his case, though, memories of his have wife and child help as fuel for the increasingly realistic episodes he experiences. Great of the account takes region to a soundtrack of comely opera music such as that of Puccini, and the combination of such tall music and the fantastic visual miracles that account for anime of the highest caliber form this a most great film indeed.
Episode Two, Stink Bomb from director Tensai Okamura, goes in a completely different direction. Existing in some nebulous site between black comedy and grim political satire, Stink Bomb is certainly involving but grand less great than the other two films. In this yarn, a young scientific researcher takes an experimental fever pill that turns out to be something else entirely. He awakes to come by everyone in the building comatose or stupid (it’s never really sure to me), and disturbed company executives order him to net the pills and the secret documentation related to them so that he can bring everything to them in Tokyo immediately. He does honest that, but he comes across death and destruction everywhere he goes. He does not understand that he has become a biological weapon emanating deadly gas from within his occupy body. It’s almost funny to view the military firepower brought to occupy – quite fruitlessly – against him as the military seeks to terminate the spread of the outrageous gas. The ending is also somewhat droll, on a gloomy level.
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The last and shortest of the films comes from Katsuhiro Otomo himself. Cannon Fodder is an extremely sunless film that vividly portrays a day in the life of a militaristic society along the lines of a post-modern day Prussia (i.e., pointy helmets are colossal in this world) dedicated solely and completely to the continued firing of sizable cannons against some nebulous enemy. The clear interpretation is one of the insanity of warfare, and the shaded tones and grimly drawn characters bring the message home in a grand fashion. Interestingly, the entire action seems to consist of one continuous shot that moves fluidly from one scene to another.
Memories dates relieve to 1995, but it is certainly an impressive example of anime’s recent strengths and possibilities. The music, I should mention, plays an integral role in each film, especially Magnetic Rose – I assume this DVD is worth owning impartial for this first astounding film alone. Otomo, Morimoto, and Okamuro are the same masters of anime who gave the world such wonders as Akira, Animatrix, and Ghost in the Shell, so anime newbies can rest assured that Memories will not disappoint.
I first saw a trailer for “Memories” in 1996 while watching “Sabrina” at a theater in Nagasaki. I idea the bits of animation shown, along with the music were astounding and I was succor in a theater when it came out. I’ve seen it several times since and I detached regard it as one of the better anime films out there. Top rate animation, a extraordinary glean – I highly recommend trying to pick up the Victor Japan 1 1/2 disc fresh soundtrack (comprised of one paunchy sized CD and a CD single sized disc 2, in some really chilly packaging) – and gargantuan stories. The animation style of the three, like the different stories, are all different. Magnetic Rose is my celebrated, and some of the imagery, paired with the haunting music (combining electronic music with Puccini arias and choral works), have had a lasting enact. Stink Bomb, touching on biological/chemical warefare as well as the military, is glowing damned amusing, and even more relevant in today’s unique global climate. The final installment, Cannon Fodder, by Otomo-san, is the most modern, both in terms of the animation style/character create and in the myth. There is a unfamiliar “child’s narrative” feel mixed with a Pink Floyd’s “The Wall” vibe.
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I am fair really enraged that this is finally out on Station 1 DVD. This is a work of anime that is definitely more accessible to mainstream audiences (especially those who loathe the substantial, “saucer-eyed” style of anime) . I am gratified that I resisted buying the great more expensive State 2 station. And did I mention how vast the music is?
Utte kimasu!
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