That Darn Cat! Streaming

February 8th, 2010 by keith5049744
That Darn Cat! Streaming. That Darn Cat! Streaming.

Movie Title: That Darn Cat!
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As of today, May 2, 2004, Disney’s masterpiece, the unique “That Darn Cat” has yet to be released on DVD.

I dont know what Disney is waiting for, but if enough of us interrogate the DVD, it will be made available alot quicker. All you have to do is impress up to pre-order the DVD on Amazon.com when it becomes available.

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You will glean an email when the DVD finally comes out.

The movie is about a Fine Siamese Cat, named D.C. (Darn Cat) .

D.C. and his owner, the cute Disney sage Hayley Mills secure themselves up to their necks in crime, and chaos.

A woman has been kidnapped, and only D.C. and Hayley can back he police glean her!

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Dean Jones, another Disney epic, plays the special agent in charge of the kidnapped woman’s case, and he is fantastic.
“That Darn Cat” is the epitome of a Disney Clasic film: A cute, charasmatic Animal as the star, plus some familiar faces in the supporting roles, mixed with the Disney comedy, action and overall fun that we have grown to treasure.
The gradual substantial Roddy McDowall, of “Planet of the Apes” fame, plays a vast fraction in this movie as well.
They made a remake of “That Darn Cat’ in 1997, and while it was noble, it is not nearly as suited as the unusual.
This fresh 1965 version of ‘That Darn Cat” is the one with the Disney Magic that we all have grown aged to.
This movie is bulky of comedy, action, suspense, intrigue, and most considerable, pure Disney fun.
You will definitely relish this movie, if you havent seen it yet. If you have seen it on video, then you know what I mean.
Hopefully, soon, Disney will release this movie on DVD, and when they do, trust me when I say that it will be a well-liked of yours and your family for years and years to reach.
So, reach on Disney…..we are waiting. Please release “That Darn Cat” on DVD soon, so that a whole recent generation can experience its wonder.

Dean Jones and Hayley Mills star in this film about a teenage girl whose ornery cat becomes a surveillance tool for an FBI agent on the gallop of two kidnappers. Unfortunately, Mills has to support this a secret, which isn’t easy seeing as how she has a sister who isn’t exactly being cooperative (a hilarious performance by Dorothy Provine, in a great more assertive role than she usually plays) and a boyfriend named “Canoe” who thinks she’s cheating on him. Add to that a snoopy next door neighbor and her virtually-deaf husband, played respectively by Elsa Lanchester and William DeMarest (they literally lift the demonstrate from the rest of the cast) and you’ve got a comedy that is elephantine of belly laughs and able to withstand repeated viewings. If you’re a substantial Hayley Mills fan, as I am, then this film will be fun for you regardless, but one of the other reasons I like this film so grand is that it features many of the 60’s TV explain character actors: Neville Note (”Laredo”) and Frank Gorshin (the Riddler from “Batman”) play the kidnappers, and Grayson Hall (Oscar Nominee for “The Night of the Iguana) plays their victim; plus there’s a hilarious bit at a drive in with Richard Deacon (Mel Cooley from “Dick Van Dyke”) . But by far the actors most deserving of attention are Elsa Lanchester and William DeMarest as Mills’ next door neighbors – the scene at the demolish where Lanchester gets what’s coming to her is worth the trace of the video, plus some. One more funny bit worth noting: view for Ed Wynn as a nervous jeweler (he’s not on there long, but you’ll be laughing the whole time he’s on the veil) . Mountainous fun, arguably the most underrated Disney Comedy ever.
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Tetsuo II: Body Hammer Streaming

February 7th, 2010 by keith5049744
Tetsuo II: Body Hammer Streaming. Tetsuo II: Body Hammer Streaming.

Movie Title: Tetsuo II: Body Hammer
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this is one of the most intense films i’ve ever seen. it is more or less the same legend as tetsuo: the iron man, but it goes powerful farther, and powerful more completely insane.it’s definitely not a film for everbody, as many japanese films seem to have a hard time hitting home with western audiences. but if you bask in eclectic, chaotic, and definitely too intense film, i’m definite you’ll luxuriate in this manic high-tail through one man’s evolution into mechinization.very visual in nature, and the sound is fabulous. very truly one of the most effective and memorable films i’ve seen to date.

Comparisons will obviously be made to David Lynch and Cronenberg, but if you like those directors and have a taste for obscene budget foreign awe movies then you will treasure Tetsuo II – Body Hammer.

Basically this is like a live action Magna cartoon and can be watched as a stand alone without seeing the new Tetsuo. Where the film scores in aces is with the editing and camerawork. Shinya Tsukamoto is held in huge like by directors like Quetin Tarantino, who once asked if Tsukamoto would work on an American film with him. Tsukamoto responded by saying Yes – If he was allowed to nuke Hollywood.

The station is crazy and revolves around a Tokyo businessman, Taniguchi, whose son is kidnapped by a cult of demented nazi-type body builders led by a villain who has the special power of being able to turn his body parts into mechanical firearms. Taniguchi discovers that he too has similar special powers and proceeds to try and wipeout the gang in a Superhero sort of scheme.

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There is lots of arty nightmare sequences and action, although the film does loose its wobble in parts. At its heart, Tetsuo II is a movie about a superhero with a grotesque gift. It is violent at times but the position is actually coherent and the narrative is a lot of fun.

Considering the budget limitations the filmmakers have done well and Tetsuo has quite a cult following and it is easy to spy why directors like Tarantino recommend it. So if you have a taste for vulgar budget weirdness, then this movie is a must.
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Buy Molokai: The Story Of Father Damien Blu-Ray at Amazon.

February 7th, 2010 by keith5049744
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Molokai is the tale of a priest, Father Damien, who chose to exercise his life serving in a leper colony. The movie is a daring yarn of grand compassion and persistence in the face of physical hardship and isolation. Filmed on position on the Hawaiian Island of Molokai, the scenery is fine, and it touches on the history and culture of Hawaii. I found the movie very, very tantalizing, but some may come by the conditions of the lepers too depressing to occupy.

An Australian, David Wehan plays the role of Damien. Two other actors you may ogle are Kris Kristofferson and Peter O’Toole, who both play lepers. Peter O’Toole, who I never like previously, seems to have really enjoyed his role.

Molokai is one of the more remote Hawaiian Islands. During a leprosy epidemic in Hawaii during the mid-nineteenth century, the government established a peninsula on the island of Molokai as a leper colony. It was chosen because it was so difficult to win to or rush from.

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In the movie, there is a scene where, instead of transferring the lepers to rowboats, the crew forced the lepers at gunpoint to jump overboard and swim to shore. These included women and children. In the exact historical incident, some people drowned, some died from injuries from being bashed against the rocks on the beach, and others died on shore of exhaustion. Although not shown in the movie, often, ships depositing lepers would tie a rope from the ship to land and the lepers had to climb hand-over-hand to shore.

Father Damien had grown up on a farm in Belgium. He was very strong physically and was an experienced carpenter and builder. Before going to Molokai, the historical Father Damien had been a parish priest and pastor in several parishes in the Hawaiian Islands. He learned to suppose Hawaiian and understood native Hawaiian culture. In the opening sequence of the movie, Father Damien is shown helping some Hawaiians perform a house. Bounty hunters reach on horseback to acquire away suspected lepers. Villagers urge and conceal. The scene is reminiscent of the slave catchers in Roots. Historically, before going to Molokai, Damien experienced parishioners being taken away to the colony, and he had assisted people in avoiding the bounty hunters (not shown in the movie) .

Father Damien volunteered to be assigned to Molokai. Damien’s bishop instructed him to capture all measures to avoid infection. In the movie, we watch Damien simply ignoring the instructions. In historical fact, after two months on the island, he formally requested permission from the bishop to risk infection. He did this because it was the only arrangement he could collect the lepers trust.

The leper colony was a living hell. When Damien arrived in 1873, there were six hundred lepers with inadequate housing and food, and no doctors, nurses, or medical supplies. Essentially, there was no law. Gangs of physically able lepers looted the belongings of the very sick. Prostitution and pedophilia were rampant. The bodies of the expressionless were either thrown into a ravine or buried very shallowly, where they were dug up and eaten by wild pigs. To be definite, with the arrival of Damien, there was a valuable improvement in the lives of the lepers, but in the historical reality, the conditions and problems Damien faced were far worse than depicted in the movie.

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Besides serving as priest, Damien’s construction worker skills were invaluable. He built, supervised, or organized volunteer labor to produce hundreds of buildings-over half the buildings in the settlement. When he arrived, there was no running water. He built a pipeline (In the movie, there is no pipeline) . Damien cleaned and bandaged wounds and amputated gangrenous limbs. The son of a farmer, he taught the lepers to grow crops (not shown in the movie) . He was the island’s undertaker, funeral director, grave digger, and coffin maker-he built over 1,600 coffins. He also witnessed seven murders (not shown in the movie) .

Besides having no resources to care for the sick, Damien had constant conflicts with both the government health authorities and his occupy religious order. In addition, he had many critics in the medical and clerical professions. The Hawaiian government’s board of health didn’t like him simply because he made them peer poor. He alone was accomplishing orders of magnitude more for the lepers than the whole set government. His religious order was not able to provide any other permanent people to support, until advance the raze of his life. To their credit, they tried, but the only other people they could earn to go to Molokai were misfits that were so unpleasant, Damien sent them befriend. The order had other priests in Hawaii doing obliging work, and they didn’t like Damien getting all the publicity.

Father Damien did not go to the leper colony impartial care for their bodies, although he did so tirelessly. He also went to set their souls. In the movie, it is very enthralling to peruse Damien administer the Sacraments. He buries lepers with half-bodies of rotting flesh, with all of the dignity and respect that one would inquire of to be given a member of high society in Paris or Rome. Right historical witnesses on Molokai said that Damien said Mass every day with the utmost reverence and liturgical decorum in a miniature chapel filled with lepers bleeding and spitting, with Damien seemingly oblivious to an almost unbearable stench of rotting human flesh.

Since 1944, medicines have been developed that halt leprosy from being contagious and spreading within the body. The colony on Molokai was disbanded in 1969. At the time of the filming, there were forty-seven surviving patients from the settlement. Today, they are free to reach and go as they please, although they all feel like outcasts shunned by society. A number appeared as extras in the movie. Today, Hawaiians mediate Damien to be one of the sizable heroes of their place.

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When I ordered this DVD I knew a bit about the life of Fr. Damien but nothing about the film. I expected it to be “honorable fare” but not considerable better. What a surprise! Molokai is as reach to being a perfect film as could ever be made. It is an captivating and engaging fable that is told without any of the over-sentimentality one might put a question to from a “religious” film. The screenplay is amazing – absolutely believable and natural dialoge delivered flawlessly. The cinematography is breathtaking and the soundtrack is, well, I’m going to track it down to seize it – a first for me. So mighty for the technical stuff. Fr. Damien was an wonderful individual and an ideal priest. The film portrays this with big respect as it does with the Catholic Church in general – another rarity these days! There are at least a dozen scenes that stand out as illustrations of suitable virtue in practice and from which we can blueprint inspiration to improve our bear characters. This is a fair film in every sense and will remain in my top 10 list of all time vast movies.
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Stream Great Performances: King Lear Online

February 2nd, 2010 by keith5049744
Stream Great Performances: King Lear Online. Stream Great Performances: King Lear Online.

Movie Title: Great Performances: King Lear
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I had the privilege of seeing this production performed live in LA. It was an astonishing experience slightly marred by the fact that the concert hall was clearly a larger site than these actors were broken-down to filling with their voices, and for those of us stuck under the balcony, it was not always possible to hear everything over the ambient noises around us. So I was thrilled when I heard that they were taking the production into the studio to trap it for posterity, and I immediately bought the (state free) Blu-Ray edition from the UK.

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I don’t regret the take, but I was somewhat disappointed. Outdoor scenes are all filmed against a blue cloak that poorly simulates sky, giving all the outdoor scenes a distinct cheese factor. On a stage we suspend our disbelief – the lighting changes and we possess we are now out of doors, but on a hide we inquire of a itsy-bitsy more realism.

Likewise, I found the sets of the stage performance more effective as well. They had a grandeur – and later in the play, a decay – that was really missing from the sets old-fashioned in the studio. I understand that the studio was aiming for more realism, so you wouldn’t have the same backdrop for a whole act when the scenes shift and so on. But they didn’t manage to replace the missing status with anything more effective dramatically.

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Furthermore, the cinematography was very heavy handed in terms of constantly flashing from one actor’s face to another to compose certain no reaction is missed. It was at times very jarring. On a stage, one of the spellbinding dynamics is that each audience member can decide where to focus attention, and so each person walks away with a different experience. Here in an attempt to hold the richness of each scene, the camera tried to point to everything, and the result wasn’t apt. O.K. The camera didn’t demonstrate EVERYTHING. The imperfect scene were Lear strips down is trimmed by the frame of the camera for modesty. So if such things as male nudity bother you, this is a production you can behold with your kids.

But if you rep over the cheese factor of the camera work and sets, this is detached Trevor Nunn, Ian McKellan and the Royal Shakespeare Company doing their thing. You’ll hear Shakespeare’s words interpreted and performed with substantial skill.

This is a edifying but ultimately disappointing production of Shakespeare’s greatest play. How can it be both? It is suitable for several reasons. Ian McKellen is one of the huge Shakespearean actors of his generation, and he here delivers a masterful Lear, bewitching and credible and utterly faithful to the character in the text; if there are a few too many of the familiar McKellen mannerisms, who’s to complain–they work as well here as elsewhere. The rest of the acting is at a very high level indeed; there is not a single performance I would fault, and I couldn’t say that of any other video “Lear”. The dialog has been intelligently edited, and clearly and audibly recorded; for once in a production of Lear there are no “What did he impartial say? ” moments, not even with the Fool’s dialog. Logic and clarity are equally evidenced in Trevor Nunn’s direction. A miniature example: in this production, the disappearance of the Fool midway through the play is explained dramatically, as we contemplate his hanging by forces pursuing Lear, something not in the stage directions and only vaguely supported by the text. It’s dramatically satisfying; we need not ask “What happened to him? ” Another example: the poisoning of Regan by Goneril occurs on stage, and is thereby made genuinely horrifying instead of being a bit of off-stage melodrama. The initial displeasing of Lear by Cordelia and his instant, irrevocable rage, which are hard to produce credible in performance because of the compressed stage-time, are easier to enjoy in here; they near off as (perhaps) some good-natured teasing gone horribly awry (though I’m not certain that’s what was intended, and if so that it is faithful to the text) . So why is the production nevertheless disappointing? When a stout actor takes on a spacious character of Shakespeare, we want to near away with something novel and great–some original belief, some modern emotion, some fresh experience of the play which will change forever our relationship to the text. Here, alas, there is nothing fresh. No novel sense of Lear as an individual, as in the Olivier video, or of his relation to his daughters, as in Ian Holm’s version. Impartial a very straightforward, highly competent rendition. Obedient, but disappointing.
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Get Choose Me Online

February 1st, 2010 by keith5049744

Get Choose Me Online

Get Choose Me Online Right Now!

Auteur director Alan Rudolph (Afterglow) writes and directs this “intriguing, completely spontaneous” (Roger Ebert) and film-noirish tale of romantic entanglements set in hedonistic mid-1980s Los Angeles. An all-star ensemble cast, including Oscara(r) nominees* Lesley Ann Warren (Victor/Victoria) and Genevieve Bujold (Anne of the Thousand Days) dances in and out of love with strangers while searching for the tru meaning of life. Anne Love (Bujold) is a successful on-air relationship counselor. Her popular show “The Love Line” has everyone in L.A. listening especially her new roommate, Eve (Warren), who calls in for advice and has no idea she’s talking to Anne! But when a strange drifter (Keith Carradine, Wild Bill) enters their lives, things take a sudden, confusing and tumultuous turn in the heart department, forcing everyone to take a closer look at what they really want out of relationships, and more importantly just who they really are. *Warren: Supporting Actress, Victor/Victoria (1982); Bujold: Actress, Anne of the Thousand Days (1969)

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Choose Me was amicable! You have to remove all doubt this movie! A magnificent performance by Genevieve Bujold & Keith Carradine make Choose Me a “should parish” movie!

The extraordinary cast includes Genevieve Bujold, Keith Carradine, Lesley Ann Warren, Patrick Bauchau, Rae Dawn Chong. This cast just make Choose Me the more prodigious!

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Buy Yu Yu Hakusho, Vol. 11: Fairplay Online.

January 30th, 2010 by keith5049744
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I admire Kurama and two Shinobis (Touya & Jin) that are introduced in this Dvd. This DVD is a must for any fan of YYH or fangirl of any of the three characters I named.

Only Yusuke, Kurama, and Kuwabara (mild wounded) are able to fight after Hiei and Genkai are trapped in a forcefield. Kurama desides he will fight first winning as many matches as possible. The fights are as follows: Kurama vs Gama; Kurama vs Touya; Kurama vs Baken; Yusuke vs Baken. Some respectable musty fasion bloody, butt kicking going on in this DVD. Bad Kurama almost dies. Gama gets nick into lunch meat, Touya gets stabbed with a death plant (handsome) . This is definetly one of my favorites.

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Yu Yu Hakusho: Vol. 11: Fairplay: is a large DVD. Even though it only has three episodes, this is a far better DVD than some of the other Dusky Tournament DVDs. Kurama is the central character here. Many fangirls are in worship with this mysterious, flower-controlling, red-haired bishie demon. But there is plenty of compelling battle as well, as two compelling opponents of Team Yurameshi are introduced: Touya the Ice Master and Jin the Wind Master.

Vol. 11 contains episodes 37 – 39.

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Episode 37: Master of Disguise – A very sexy and scantily-clad female “nurse” demon named Ruka traps the Masked Fighter and Hie in the “medical tent.” Helpless, they witness as Kurama squares off against Gama, the makeup-brandishing Shinobi. Before battle Gama explains that the unusual exercise of makeup has been forgotten and corrupted. Kurama soon finds himself in a fight for his life.

Episode 38: Kurama’s Stand – Collected hobble by Gama’s body-paint spells, Kurama takes on the next member of the Team Masho, the Ice Demon Touya. Stalling for time, Kurama asks Touya why the Shinobi have advance out of hiding. Touya says that they have been promised the island if they catch. Kurama suspects there is considerable more to the Shinobi’s plans for the island.

Episode 39: Crushing Revenge – In a coma, Kurama is rescued from definite death in the ring by an wrathful Yusuke. It is tantalizing and distinguished to discover the lengths Yusuke will go to put his friend, and also how remarkable the seemingly impassive Hie cares for Kurama. Yusuke then takes on two members of Team Masho, including the whimsical pointy-eared Jin.

Extras in this DVD include action figure Hie, translations of kanji, character profiles, and attack profiles.
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Buy Grave of the Fireflies Blu-Ray at Amazon.

January 27th, 2010 by keith5049744
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I generally don’t roar at movies. I appreciate any movie that can travel me enough to shed a slither or two. Grave Of the Fireflies is not one of those movies. In those movies even though I’m dim the final scenes leave me with a residual hope that while some tragic event has unprejudiced occured the charecters keen will grow and live better. Grave of the Fireflies doesn’t do this. There is no hope or possiabilty of things getting better. This is Life at it’s cruelest. Life that will never rep better. This movie doesn’t go you, it shatters you.

Seita And Setsuko (the boy and His diminutive sister) aren’t Heros and their abusive aunt isn’t the villian. Neither for that matter is either side of the war protrayed as ample or dreadful in these movie. This is impartial a chronicle of people being people. some kind, some indiffrent and some compleatly harsh. Seita makes mistakes that many children in his status would.

Although fifteen years venerable this film is detached very beatiful. The images it portrays are serene and subdued yet elegent. The final scene is something that shall forever be burned into my brain. It’s touching and heartwrenching finality should wreck most people.

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Well I fancy Grave of the Fireflies. I Treasure it for it’s unflinching glimpse at war and life, It’s dazzling bueaty as it portrays a young girl playing amidst Fireflies, and for what it does to me at the slay.

Why must fireflies die so young?

“Grave of the Fireflies” (”Hotaru no haka”) is one of the most noteworthy anti-war films I have ever seen, which means that it has no competition when it comes to emotional impact in terms of enchanting films. The death of Bambi’s mother was a traumatic shock, but nothing like the sense of despair and danger that overwhelms you by the kill of this film. The film begins with the spirit of a young boy showing us his death in a whine site, after which we follow the fireflies into the past to sight his narrative. At the beginning of the recent movie of “Brian’s Song” we were told: “All lawful stories waste in death. This is a suitable fable.” So is “Grave of the Fireflies” because I have no jam granting the legitimacy of “truth” to fiction.

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In the last months of World War II an American fire bomb raid destroys the port city of Kobe, where almost all of the buildings are made of wood. Seita (Tsutomu Tatsumi/J. Robert Spencer) is a 14-year venerable boy who survives along with his 4-year stale sister Setsuko (Ayano Shiraishi/Rhoda Chrosite) . They were separated from their mother during the raid, which spares them from her fate. Their father is a navy officer serving in the Imperial Navy at sea, and the two kids go off to live with an aunt. With both his school and the war factory where we worked gone, Seita does not know what to do. So he tries to hold care of his sister. But his aunt constantly berates him and after trading his mother’s kimonos for rice that she stingly shares with the children, Seita decides to bewitch Setsuko and live in a couple of caves dug for bomb shelters. For a while their live remains idyllic, but then there is nothing left to trade for food, and no food to be bought for money. Seita has to engage food to survive while Setsuko is getting weaker and weaker from hunger.

This film is based on the semi-autobiographical fresh written by Akiyuki Nosaka, which won the Naoli Prize, the Japanese equivalent of the Pulitzer Prize for Literature. Like Seita, he survived the fire bombing with a younger sister, who died in his care. Obviously the myth stems from a sense of guilty and I fill telling this epic was confessional rather than cathartic for Nosaka. Writer-director Isao Takahata turns this tragedy into what can only be described as a poetic experience, achieving a cinematic lyricism that could never have been accomplished in a live-action film (e.g., the device the fireflies have a counterpoint in the pieces of ash that drift on the wind after the fire bombings) . There is a quietness to this film, a sense of contemplation that emphasizes vital and exiguous moments alike, and makes scenes linger as the heart-rending anecdote plays out to its fatal conclusion. The scream work by both of the young girls playing Setsuko is extremely effective; I have a tiny preference for that done by Ayano Shiriashi simply because it is grand more naturalistic than what you usually bag in anime depicting children.

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“Graves of the Fireflies” is an unforgettable film, one which will slit most viewers to tears if not outright sobbing. Watching it is a painful experience, but then a film depicting the horrors of war and showing what happens to young children is supposed to have that execute. Viewing it a second time makes the experience even more intense (you probably will not win what Setsuko’s last words are the first time through, but be prepared for what it will do to you when you recognize the film again) . You will never, ever forget this film and you should be very, very careful about showing it to younger children, because it will change forever what they assume about spellbinding films. It will do that for you as well.
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Lowest Price on Empire Records at Amazon.

January 26th, 2010 by keith5049744
Lowest Price on Empire Records at Amazon.. Lowest Price on Empire Records at Amazon..

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If you are a fan of the New Empire Records, DON’T recall the Re-Mixed Fan version… it’s a titanic dissappointment. There are added scenes in the movie, and some of the BEST lines are changed. Example: When Rex is leaving the store and says “Why don’t you all fair travel away.” Yeah, he doesn’t say that in this version. I was very dissappointed when I saw this, b/c die-hard Empire fans DON’T want the best lines changed, so this really isn’t a “fan re-mix” b/c it changes stuff the fans Admire!!! Definitely honest grasp the regular DVD or VHS version… it’s remarkable better as an fresh, not a re-mix!!!!

This film got poor reviews…stupid and simple. Why? Because it wasn’t aimed at film critics …at all. The film is an experiment in teen flicks along the lines of “The Breakfast Club” it chronicles the lives of a bunch of angsty, miserable, manic teens over the course of a single day, finding irregular itsy-bitsy ways to reveal each of their stories. It definitely accomplishes this goal, using “Rex Manning Day” as the vehicle for delivering half a dozen life stories without telling a monotonous epic. Granted, it’s doesn’t have the most new residence, or Oscar caliber acting, but it the film does what it sets out to do, and for this reason, earned its cult following. Sight this film and you will catch yourself quoting lines and recalling scenes. If you’re looking for a fun romp with a anecdote that will neither bore you, nor tax your mental reserves, this is a big flick–lots of fun, quotable dialogue, and of course, huge music. Both Cochrane and Embry give memorable performances as the night manager, turned well meaning felon turned philosopher and the overjoyed go lucky stoner respectively. The memoir line is a tad incongruous and disjointed and some of the characters are stereotypical in their attempts to smash the stereotypes, but if you go in to this movie with the expectations that it’s unbiased going to be a fun flick, you’ll be blissful.
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Buy Naked You Die DVD at Amazon.

January 23rd, 2010 by keith5049744
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In the DVD’s delightfully lurid mask art, a murky killer strangles a young blonde whose excited breasts hotfoot through her underwear. An outmoded city burns red in the distance. The text promises “a macabre record of abolish at an all-girls school.” In fact, it’s fun story of execute at an all-girls school. This Italian whodunnit from 1968 is more Agatha Christy than Mario Bava (who wrote some of the yarn) . Charming performances from the young cast, especially the British actress Sally Smith as a Nancy Drew wannabe. Michael Rennie wanders through as an inspector. In Italian, first time in the States in an uncut version. “Naked You Die” is the translation of the Italian title. In the States, AIP hacked 15 minutes out of the film and dubbed it “The Young, the Unfavorable and the Savage,” which heavenly considerable sums up nothing. Worth seeing for the opening nude bathtube slaying alone.

This flick from 1968 is a decent giallo thriller. In which a murky gloved killer is on the loose at a girlschool. The violence in this would be comparable to any movie that came before. Although there is nudity, which a American movie would have never allowed, and of course Mario bava helped write the record. But his movies were even a few years earlier unbiased a shrimp more explicit in their violence. The account is a decent

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giallo anecdote that takes station in a girlsschool. If you like destroy mysteries from europe and giallo thrillers and don’t the inquire wild frenzied

action and sleazier nudity of giallos from 1970 onward, then you will like this flick. . This movie reminded me a satisfactory mystery flick from Alfred Hitchcock. And it has the friendly Michael Rennie as the lead dectective. And the flick even has a frosty 1960’s rock song theme. This is objective a fun flick and it reminded me of how great I loved those british

mysteries like miss marple etc because they notify a ample narrative, and have top-notch acting in them as well.

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Buy The Manitou Blu-Ray at Amazon.

January 22nd, 2010 by keith5049744
Buy The Manitou Blu-Ray at Amazon.. Buy The Manitou Blu-Ray at Amazon..

Product: The Manitou
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Normally I wait for three risings of the sun before writing a review like this…

I was about eight years outmoded when I saw this… My mom had no spot taking me to fear films since she loved ‘em too… We saw this one on a double-bill with “The Swarm.”

“The Manitou” should be released on DVD, no doubt about it, but then most of William Girdler’s films should be, if nothing more than for the funtime feeling of pure camp they give off. Sometimes nothing beats a kindly dreadful film, and “The Manitou” succeeds on almost every level! San Francisco novel age liberalism is parodied here (well, maybe on consciously) as is disco culture, and the cast features wonderfully rich acting by Tony Curtis and Susan Strasberg (all Diagram here) . The rest of the cast Stella Stevens and Burgess Meredith all ham it up spectacularly, and Michael Ansara gives the film a unbelievable turn as John Singing Rock, who normally waits three risings of the sun before taking on ANY job. The effects are glowing cold for what is considered a B-movie, and the demon spirit, Misquamacus (who’s Manitou-spirit is growing like a fetus on Strasberg’s neck) is amazingly revolting. Objective when you deem the movie cannot go far enough in delicate status pieces (the archaic lady who floats to the staircase while chanting “mana witchi salatu,” the ebony Indian (not Native American in 1978) head rising from the seance table, the growing tumor, the ice storm in the hospital (complete with a fridgid beheading) the movie ends with a psychic war (with cheesy laser beams ripping from fingertips) between qualified and infamous in the nude!

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Classic cinema, not to be passed up! Makes a expansive rainy Saturday movie, and someone (Anchor Bay, or hey! Even Criterion (ha ha) ) really oughta release it on DVD with plenty of extras.

Everyone criticizes this movie to its face, but they secretly like it on the late-late display in the privacy of their homes. It’s a “guilty pleasure” section, awaiting rediscovery in a less judgmental and more fun-loving age.

Susan Strasberg has a tumor growing on her neck, that turns out to be a fetus. The doctors can’t steal it, and it’s killing her. Her aged faux fortuneteller boyfriend Tony Curtis finds bizarre supernatural phenomena occurring around him, and does some homework with a few of his dilapidated occult friends, discovering that the fetus is the reincarnation of a mighty Indian medicine man named Misquamacus, who is out for some conventional magic revenge against the White Man. How to derive rid of Misquamacus, before Strasberg dies giving him unusual life? Why, fight fire with fire, of course – acquire another medicine man.

The only thing killing this movie is some really abominable special effects work – though some of the effects are actually quite great – and uneven direction and script. It has an all-star cast of surprising names, though Curtis and hired medicine man Michael Ansara really select the exhibit.

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The movie’s greatest strength is the dialogue and the characters. The faithfully adapted script comes from Graham Masterton’s generally better-accepted fresh, and Masterton has an absolute gift for making the absurd credible.

No, this movie is hardly anyone’s thought of a masterpiece, but it’s a big unhurried Friday night popcorn watcher. Give it a chance. Be Pleased it in the spirit in which it was made, and you’ll have a salubrious time.
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