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I swore I would not commence this DVD until after seeing L. Cohen in Oakland the Monday after next. But I’m so delighted I broke my scream.
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This is one of the most astonishing concerts I’ve ever seen captured on DVD.
The band and Leonard’s singers are excellent, and one senses that they feel as though they are a piece of something special.
The songs span nearly 40 years of a canon that is second to none.
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Most astounding of all,though, is how a digital disc can gash through its hold technology and exude so powerful warmth and passion. Even when the camera shows a conclude shot of Cohen, one can detached sense the warmth, care for and admiration coming from the cheerful London audience.
As for Leonard Cohen…if he were to do nothing but philosophize, that would be enough given the astonishing breadth of material performed at this concert.
However, his gentle and trustworthy allege of the stage provides this indicate an added depth and dimension. Within the span of minutes he can be hilarious, self-deprecating, humble, poignant, appreciative…and I could easily go on with the superlatives to recount his on-stage demeanor.
Very often I perform a point of remembering to trust the art and not the artist. In the case of Leonard Cohen, I tend to trust both. His warmth seems well-behaved. Unlike so many of his stature, his humility comes across as dependable. His spoken words are every bit as noteworthy as those that are sung. Given the design that the barriers are broken down between the singer and the band and the audience…to the point where it feels as though they are all portion of one celebratory evening…such humility, graciousness and warmth cannot be anything but sterling.
The highlights are too many to mention: “Suzanne” sounds as unique as it did 40 years ago. “Anthem” sounds more urgent today than when it was first penned. “The Future” & “First We Capture Manahattan” are even more biting now in the 21st Century than when they were first penned. Cohen’s increased age gives songs such as “Boogie Street,” “Tower of Song,” & “Democracy” a world weariness that makes these songs all the more penetrating. His attractive “If It Be Your Will” sounds as remarkable like a prayer as it does one of the loveliest songs ever written. If I don’t halt now, I’ll wind up writing accolades about every song on this DVD. Yes, it is that extraordinary!
I’ve been fortunate to look so many of the greats in my lifetime – legends whose works will be remembered for decades to arrive. Some have been surly and stand-offish. Others have been appreciative and welcoming toward their audience.
It is refreshing to watch the best of everything embodied in this Leonard Cohen concert. Songs that are amongst the best ever written, detached performed with a passion (as well as with the added wisdom that comes from Cohen being 74 years young), with a band & audience & singer all equally committed to one another.
There are moments when I laughed out loud at Leonard’s deadpan, wry humor. There were times when tears welled in my eyes from the sincerity of the words that came out of his mouth, either spoken or in song.
In a day and age where so distinguished seems packaged and perfunctionary, it is refreshing to perceive & hear someone such as Cohen whose observations can warm the heart or chop like a knife to procure to the heart of a matter. He is the trusty deal. No airs, no faux modesty…fair a man with four decades’ worth of majestic material, with an suited band whose respect for Cohen is reciprocated by their singer with his respect for their talents & abilities, along with a suitable warmth & sense of humanity that allows Leonard Cohen to turn a vast London venue into a setting that is as intimate as being in one’s living room.
Without a doubt, one of the finest, most titillating and most satisfying concert DVDs I’ve ever seen.
I’m elated that I opened this prior to April 13. Seeing this makes me perceive forward to seeing Cohen in a itsy-bitsy Oakland theater even more so than I already was.
However, had I not been fortunate enough to have gotten a price for his upcoming concert, I have to say that this DVD would have been a more than beautiful consolation. It is worth every cent. The staging, lighting, musicianship, song selection and sound are painstakingly stellar, obviously given large care & distinguished concept.
This is a proper gem, a most proper representation of one of the greatest songwriters of our time.
This is exquisite worthy a bare bones DVD featuring extended London concert footage. I have no beef with the camera work. It is simple, but effective, and grand preferable to so many concert videos where the camera moves so worthy and cuts from one angle to the next occur so fleet it threatens to give one vertigo, or at least a headache.
The choice of 4:3 aspect ratio, in an era where even run-of-the-mill TV shows are widescreen, is inexplicable. The video quality is righteous, but not substantial.
The audio could have been better. Happily, an uncompressed LCPM stereo track is available (the default) on the DVD, which should gain for maximum sound quality. But the disc producers chose to muck this up, too. The sound is dynamically compressed, i.e. the soft parts are made loud so the dynamic disagreement between soft and loud is blunted. When the band gets going fat blast, the sound is congested — it loses some clarity. Nevertheless, I would rate the sound as generous, not tremendous — equivalent in sound quality to a musical segment on the Letterman reveal or Tonight Exhibit on digital TV.
The concert is enormous, and Leonard is elephantine of warmth and grit, whatever is called for. Leonard Cohen appears to be having the time of his life, and the band is perfect. His angelic choir, a trio of female backup singers, is splendid. The guitarist provides Knopfler-esque lead lines, and his “wind instrument” and keyboard players add richness to the mix.
This is the perfect introduction to Leonard Cohen. It represents his best compositions (though I am disappointed that Joan of Arc is not allotment of the state list) . At age 74 Cohen’s disclose is a bit husky, but these performances are as beneficial as any I’ve ever heard on his studio albums or live material. (Granted, I do not have a tremendous collection of Cohen albums, however I enjoy very mighty his songs, including those performed by other artists.) It’s hard to imagine him ever topping this.
If you are strange with Leonard Cohen’s music, it is generally quite simple, with celebrated chord progressions and easy melodies. You might snappily gather yourself singing along with these tunes. Cohen’s strengths are his poetry and his delivery of the poetic line. He has always loved embellishing the simplicity of the songs with female choruses and fuller arrangements, while the structure retains the essence of folk music. Sometimes he favors a Spanish rhythm.
For me, this is the definitive Leonard Cohen live performance, noteworthy as Joni Mitchell’s Shadows and Light concert DVD highlights her best songs and best performances a with dream team band. That DVD is also deficient technically, but the music shines through. So it is here. It’s a five star concert with one star deducted for technical quality that does not measure up to the artistry of the performance.
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