Stream Revolutionary Girl Utena – The Movie Movie Online

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Movie Title: Revolutionary Girl Utena – The Movie
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“Utena – the Movie” is a masterpiece, brilliant in color and concept, and fascinating in its plot and meanings. Of course, if you want connect-the-dots animation and plotting, or if you think that Utena and Anthy are sweet little teenagers, then you’ll hate it, but this film was made for viewers who will want to see it again and again to puzzle out its secrets and mysteries. And “Utena” has secrets as well as some of the most gorgeous animation ever done, like the dance sequence and the final car chase. — The film operates on two distinct, but interpenetrating registers. One is symbolic, and the other surrealist. Utena and Anthy, now older than they were in the television show, have once again met at Ohtori Academy, once again to find each other in a kind of karmic repetition of their past lives. Symbols of the past echo throughout the film as dying monuments. Utena’s no-longer-really alive, once-boyfriend/lover Touga emerges from white shrouds to talk on the phone to Anthy’s equally dead brother Akio, the unprincipled headmaster of a previous Ohtori Academy that nonetheless still enslaves Anthy. Crimson roses grow on a platform cantilevered high above Ohtori, tended by Anthy, still the Rose Bride to be won by duel. And splashes of blood red crimson stain not only the roses but the walls and walkways of the surreal world of Ohtori. The crimson of the roses is also the crimson of Anthy’s blood, but the rose that Utena finds and that Anthy gives to her is white: unstained. It is a symbol of their undying love, loyalty, and interwoven fates. — The film lacks the virtually Wagnerian high drama of the television show. Instead, it is more modern (as befits the reprise of Utena and Anthy’s love story) and sharper edged, not absurdist, but surreal. The architecture of Ohtori Academy looks like a cross between de Chirico and a mecha designer gone mad, but that’s Ohtori for you, the world from which Utena and Anthy escape. — At one level, the film is simply the story of two young women who escape the repressions of adolescence to find themselves and each other. At another, it is an allegory of love, this between two women who will build their own roads together. At yet another, it is a portrayal of sexuality, warped and truly corrupt within Ohtori Academy, and centered and intimate between Utena and Anthy outside Ohtori. Ohtori is the world of consensus reality, and of acceptance of what is given and commanded, in brief, all the things that Utena and Anthy must escape. The Castle of Eternity, previously a hoped-for panacea for instant happiness, is now a polluting illusion, corrupt and lethal. It represents all that Utena and Anthy must destroy if they are to become real people, genuine and authentic. — That the film succeeds in all this, and much more (the music is marvelous), is a tribute to the skills of director Kunihiko Ikuhara and artist Chiho Saito, the woman who drew the original manga. It is not necessary to know the previous versions, although that adds depth to the film, because ultimately the film stands alone: the story of two young women in love who find their way to freedom.

Yeah, I saw the fansub on video. Excellent little film. If David Lynch did anime, itd probably be like this. Maybe not as twisted as the last episodes of the tv series, but still a treat for surrealists and lovers of dense incomprehensible metaphor. (Count me in). Like I said, Twin Peaks, Lost Highway, that sort of thing, but with murder, incest, rape, betrayal, obsession, posession, sacrifice, true love, swordfighting and architecture Frank Gehry would puzzle over. But dont worry about family values, most of the adult themes are so densely obfuscated, it’ll go right over kids’ heads. Its all about friendship, love and loss, and growing up, essentially.

A great soap opera romance novel heavy melodrama and bizarre satire, with a cast of just too many princes and princesses, but this aint yer mom’s fairy tale.

And if you watched the tv series, all the characters are still here, but rewritten to be parodies of themselves almost, so if you havent seen the tv show, it will still be fun, but there’ll be weird references at times that are quite funny if you have seen the tv version.

And I dont want to hear any gripes about the Wagnerian heavy metal soundtrack music. Its really quite appropriate and grows on you.

Oh, make sure you watch a subtitled version. We all know dubbing is demeaning to the director and voice talents.
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