Stream The Marvelous Misadventures of Flapjack, Vol. 1 Online

March 20th, 2010 by lucia9916719
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Movie Title: The Marvelous Misadventures of Flapjack, Vol. 1
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The Marvelous Misadventures of Flapjack, Vol. 1 is available for streaming or downloading.

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Out of several cartoon shows that appear on Cartoon Network, The Marvelous Misadventures of Flapjack stands out. It is very unique and entertaining, just like Chowder.

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The main characters of the show is a young adventure seeking and candy loving boy named Flapjack, and his maple syrup drinking pirate buddy Captain K’nuckles. Also we have the always protective and loving whale, Bubbie, who raised Flapjack since he was an infant.

The series follows the trio as they partake on adventures on Stormalong Harbor and beyond. Always seeking a way to get to Candied Island, or at least getting some free candy from Peppermint Larry.

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The show has a great deal of entertainment value, but some may disagree with me. But all of us are entitled to our own opinion. Personally, I really like the show and its unique characters. The animation is different, plus like Chowder, it utilizes stop-motion animation!

Below is a list of episodes and special features that are included on The Marvelous Misadventures of Flapjack, Volume One.

1. Several Leagues Under The Sea/Cammie Island

2. Several Leagues Above The Sea/That’s A Wrap

3. Lookin’ For Love In All The Wrong Barrels/Beard Buddies

4. Skooled/Snarked

5. Capatain and ToeNeil (never seen it before, possibly wrong one listed or it may be a brand new never before seen episode)

Special Features

- Adventures in Voice Acting Featurette

- Adventures in Animation Featurette

- Misadventures in Song Featurette

- Meet Thurop! Featurette

My advice, if your a fan of the series or if you actually like it, buy it. It’s a good series with some interesting characters and unique animation. Pre-order your copy and enjoy!

My boyfriend and I watch the Marvelous Misadventures of Flapjack every chance I get. We are 28 and 27 years old. Flapjack is hilarious and always puts us in a great mood. It’s good, clean, silly fun…for the young AND the old! The puns are chuckle-worthy and the storylines, as crazy as they may be, leave you wanting more. If I were to compare Flapjack to any other cartoon, I would have to say it reminds me of the ever legendary Ren & Stimpy and/or Spongebob Squarepants. Whether you’re in the mood for a haircut or surgery, or in desperate need for a maple syrup fix, Flapjack is the show to watch. I have been waiting for this DVD to come out for what seems like FOREVER. I plan on buying it as soon as it’s released. May the spine-tickling entertainment of Flapjack live on for eternities to come!

P.S. Remember…Everything’s comatose roses. … Hahahahahahaa

Stream The Boondock Saints Online

March 20th, 2010 by lucia9916719
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Movie Title: The Boondock Saints
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It seems like the only way anyone hears about this movie, its either from fanatic word of mouth or from seeing it sitting in Blockbusters. Thats a shame, because this first outing by director Troy Duffy is an extremely cool film that deserves all the attention it can get.

Sean Patrick Flannery and Norman Reedus play two good ole Irish Catholic boys in Boston, who one day get sick of the corruption in the city and begin a bloody crusade to wipe it out. Willem DaFoe plays the FBI agent hot on their trail, who is torn between bringing the mysterious vigilantes to justice, or joining their crusade.

The film is, simply put, cool. Its one of the only movies that actually make going to church look cool. Don’t be fooled by the description, however; this is not an action movie. Do not expect blazing gun battles with crazy angles and MTV like editing. This is a film about morality, doing what one thinks is right, and having codes of honour. It’s about all those things, and how close they may sometimes get to walking the edge between good and evil.

The two actors who play the Irish vigilantes are great in their roles, playing the boys not as superheroes, but as regular joes with a huge chip on their shoulder. A nice twist in the film is DaFoe’s portrayel of the FBI agent, who also happens to be gay. He plays him as a great character without being tempted to dip into stereotypes. Great job by the versatile actor.

This is definately a movie not to be missed. If you are fortunate to see this in your video store, take it out and enjoy.

It only takes a few minutes to draw a comparison between Troy Duffy’s “The Boondock Saints” and almost any Quentin Tarentino film. As I watched this breathtaking movie, I snickered to myself over realizing this little fact. I figured few others would make the connection. Boy, was I wrong! It seems that anyone who has seen “Boondock Saints” immediately thinks of “Pulp Fiction” or “Reservoir Dogs.” Moreover, a lot of people do not like the idea of Duffy ripping off such a noble American icon. Perhaps they have forgotten that Tarentino has based his entire career on borrowing or outright ripping off ideas from 1960s and 1970s cinema. I could care less whether Duffy imitated “Pulp Fiction” or whether he arrived at this idea on his own. Hollywood routinely begs, borrows, and steals in an effort to make a buck. The recent trend of remaking older films is only one aspect of this philosophy, so complaining about some filmmaker copying a specific style is a moot point. “The Boondock Saints” is an enormously entertaining way to spend a couple of hours and, despite a few flaws, may attain a cult status rivaling anything made by Quentin Tarentino. This is how it should be.

Connor and Murphy MacManus (Sean Patrick Flanery and Norman Reedus respectively) are two Irish brothers who spend their days drinking at the local pub and working in a local meatpacking plant. They don’t do much with their free time outside of lounging around their filthy loft and hanging around with unbalanced people like their friend David Rocco, a minor criminal who longs to join the local branch of the mafia. Trouble rears its ugly head when some Russian gangsters move into the neighborhood and threaten to close down the neighborhood bar. After a fistfight leads to a couple of killings in an alley, the boys realize they may be in a spot of trouble with local law enforcement. Actually, they are in more trouble than they realize at first when an FBI agent by the name of Paul Smecker arrives on the scene. The inept local cops stand around throwing out all sorts of weird, implausible theories about these corpses in the alleyway, but Smecker moves in and figures it all out in an enormously hilarious and ingenious way. By slapping on some headphones pumping out classical music and prancing around the scene checking things out, Smecker tells the cops what happened, when it happened, and who probably did it. Sure enough, the MacManus boys sheepishly arrive at the local cop shop, bloodied and bandaged from their tussle with the Russkies, and confess to the crime.

Fortunately for Connor and Murphy, Agent Smecker takes a real shine to these gregarious youngsters and releases them from jail. After all, the whole incident was merely a case of self-defense gone horribly bloody. But something strange happens to the MacManus brothers after this incident; they suddenly think they receive a calling from God to rid the streets of criminals. Checking in at the local armory of the Irish Republican Army (this is Boston, after all) and arming themselves to the teeth, Connor and Murphy use information gleaned from their encounter with the low-level mafia goons to stage a mission against the bosses of the Russian Mob. Other jobs soon follow, all apparently sanctioned and sanctified by the Almighty. The boys are so successful they soon draw in the assistance of David Rocco, who, with his vast knowledge of Boston’s underworld, provides a list of criminals who deserve to die. As the body count rises, Smecker comes closer to learning the identities of these homegrown vigilantes. The fact that the FBI agent undergoes a crisis of conscience over the crimes–he quickly realizes these murders are the work of citizens fed up with crime–leads him to secretly help the men responsible for the killings. Throw in a bunch of Mafia thugs, adult film star Ron Jeremy as a doomed hoodlum, a vicious, mystical killer named “Il Duce” (played by Billy Connolly, still atoning for “Head of the Class”), stylish gunplay, and an exploding cat and you have all the makings of this marvelous movie.

“The Boondock Saints” is a film about vigilantism and whether that activity is ever justifiable, although that theme seems to disappear for most of the movie. The conclusion, too, ends up being just a little too implausible, but getting there is a boatload of fun. The best things about Duffy’s film are the whipsaw quick dialogue, the hilarious running gags, and Willem Dafoe as Agent Paul Smecker. Dafoe especially deserves accolades for his portrayal of a conflicted FBI agent whose sympathies eventually turn to the MacManus brothers. His way of solving crimes, especially the shootout between Il Duce and the two vigilantes, is not only brilliantly executed but a wonder to watch. Moreover, Smecker’s interactions with the local Irish cops provide endless opportunities for great dialogue and hilarious jokes.

Regrettably, a bit of overacting at certain points of the film quickly annoys, as does the failure to provide anything more than lip service to vigilantism and how it pertains to our ultra violent world, but “The Boondock Saints” is so much fun despite these flaws that you will hardly notice them. The DVD includes many extras, such as important deleted scenes, a commentary by Troy Duffy, and a widescreen presentation. There’s even talk of an impending sequel, although the absence of the Willem Dafoe character, if the reports are true, could cause significant problems. There is not any other way to say it: if you have not seen “The Boondock Saints,” run, do not walk, to the local video store and buy or rent a copy today.

Stream Those Magnificent Men in Their Flying Machines Online

March 19th, 2010 by lucia9916719
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Movie Title: Those Magnificent Men in Their Flying Machines
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This is an absolutely wonderful movie. I have watched it again and again. It seems to be one of the funniest movies I’ve ever seen, yet it was a very good old fashioned, innocent, and more professional humor than most other comedies. I think it is a work of art and should be added to DVD format. Being that much of my family is German, Gert Fröbe was my favorite character. A funny and warm resemblance of the Prussian gentleman of the time. All the national characters were funny too. Terry Thomas was wonderful and gave me plenty of laughs. The Frenchmen and the Italian (Emilio) were great too. You will just feel naturally happier after you watch this movie. Don’t even hesitate to buy it!

Finally! The 20th Century-Fox 1965 roadshow extravaganza comes to DVD. The movie looks marvelous in what must be a transfer from a restored 70mm print. On my 16X9 HDTV in progressive scan the images are quite stunning for a film of this vintage. The Dolby Digital 5.0 remastering of the original 6-track magnetic soundtrack is also a joy to the ears. This is an old-fashioned entertainment for the entire family. Thanks to its presentation on this new DVD the movie is once again a grand experience. The extras are extensive for such a moderately priced DVD too. Director Ken Annakin provides an interesting commentary track and appears in a new featurette. Somebody at Fox definately loves this movie, one that is a childhood favorite of mine. I saw it in its original release, and also in a 1969 reissue as part of a double feature with Fox’s “Planet of the Apes.” “The Perfect Mates” the ads said, “Apes and Men.” Studios just don’t don’t do things like that anymore. Anyway, this DVD is a joy!

Stream Ape to Man Online

March 18th, 2010 by lucia9916719
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Movie Title: Ape to Man
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This DVD has many interesting facts to offer in for human evolution. It is becoming more apparent that human evolution is real. Within even the last 20 years palentologists are gathering up the fossil and DNA evidence of our past. Hopefully 20 years from now we will have a better understanding of who we are and where we came from. This film is a must see.

I guess you can say it is somewhat made for mainstream television with all of the dramatic cuts, but that just spices up the content that is being viewed; also, it makes it easier to spread this beautiful story. It is worth watching.

Download Inu Yasha Online

March 18th, 2010 by lucia9916719
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Movie Title: Inu Yasha
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This is a great show and a great product. It was a birthday present for my sister and she loves it.

Stream Tokyo Fist Online

March 17th, 2010 by lucia9916719
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Movie Title: Tokyo Fist
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Tokyo Fist shows the development of Shinya Tsukamoto’s directorial skills. While Tokyo Fist still contains the brilliant, over the top visuals of the Tetsuo series(used to great effect in the boxing ring), he allows the camera and film to be calm, allowing story, thought and emotion to enter. There is strong character development in this one as the protagonists try to understand how one can feel and be alive in a cold city. Definetly not recommended for the squeamish as Tsukamoto has to no issue with placing the grotesque in your face.

Truthfully, I’m not sure what the other reviews are complaining about: “Tokyo Fist” is arguably more coherent than “Tetsuo”, although it’s hardly a finely tuned plot. Nor are the goings-on more extreme than in “Tetsuo.” The tattoos and piercings are not “ritual”; in fact, they’re pretty direct self-mutilation and alteration. I really don’t understand why this is slapped with “Warning: Adult Content” labels, because frankly, the American cinema has seen much worse.
The “Fight Club” paralells people draw are also very misleading; first of all, the plots are nothing alike. This is more similar to “Tetsuo” than anything else. Second, this is in terms of direction simply a better film. It’s obvious Tsukamoto sat down and thought hard about how exactly he wanted each shot to be presented, whereas David Fincher tried to assault the senses by NOT thinking. It’s not as digestible to American audiences, but them’s the breaks.
Tsukamoto’s distinct directorial style (there’s even a little stop-motion here) is better defined here, especially his use of color. His “video game” style is very much present here, and while it’s not for everyone, if you’re interested in being challenged, it’s probably for you. It’s also a good lead-in to “Tetsuo”, although the same warning there applies here: if you haven’t sampled of David Cronenberg, David Lynch and a few other “perverse” filmmakers, I’d step carefully.

Stream As Good As It Gets Online

March 17th, 2010 by lucia9916719
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Movie Title: As Good As It Gets
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“As Good As It Gets” is a rarity among today’s movies, a truly witty and poignant romantic comedy with an unusual protagonist. That protagonist is Melvin, played with relish by Jack Nicholson. Melvin is a highly successful novelist who is also an abrasive misanthrope suffering from severe obsessive-compulsive disorder. (Not your typical hero for sure!)

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As one would expect, Melvin is a recluse and resistant to any changes in his life until he is forced to interact with a down-on-his-luck gay neighbor, Simon, portrayed by Greg Kinnear, and Simon’s perky little pet pooch, Verdell. Melvin also becomes reluctantly involved with the pretty and patient waitress Carol, played by Helen Hunt, who serves him breakfast every day at a local cafe. Other than Carol, none of the other cafe’s employees will deal with the impossible Melvin.

When Carol abruptly quits her job, Melvin tracks her down and offers her financial incentives to return to her post. Melvin increasingly finds himself drawn into Carol’s personal life, and he eventually falls for the plucky single mom.

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“As Good As It Gets” is a quirky update of the fable “Beauty and the Beast”. Gifted writer-director James L. Brooks has assembled a superb cast to re-tell this classic tale. Besides the pitch perfect lead performances by Nicholson, Hunt, and Kinnear, there are sparkling supporting performances by Cuba Gooding Jr., Shirley Knight and others.

Too many of today’s so-called comedies are mindless, uninspired concoctions profuse with sophomoric vulgarities and sexual obscenities. “As Good As It Gets” reminds us that there are still a few determined filmmakers willing to bring qualities such as intelligence, inventiveness, sophistication, and charm back to the silver screen. It is a shame that there are not more artists like these to inspire and entertain much-deprived audiences.

Another reviewer comments that the events in this film conspire to make Jack Nicholson (or rather Melvyn Udall) a human being. On the contrary, this is a film where the central character, an obsessive-compulsive bigot, is human from the start: We just don’t realize it. A key moment in the film is when Simon, Melvin’s gay neighbour (Greg Kinnear), is telling the young male prostitute, Vincent (Skeet Ulrich), about his art, and comments that he likes to watch people because sometimes, when you look at someone long enough, “you see their humanity.” At that point Vincent is momentarily enabled to see something beyond the seedy world of male prostitution; at the same time Simon gives us the interpretive key to the whole movie. It is a film about three very different people who discover their common humanity.

Melvin is a hateful and insensitive recluse with a debilitating mental disorder; Carol (Helen Hunt), a Manhattan waitress struggling with her son’s chronic illness and finding her identity swallowed up in the process; Simon, a gay artist who loses everything when he is attacked and robbed in his own home. One by one they must learn to see the humanity in each other and, as importantly, in themselves (”Where’d I go?” asks Simon as he looks at the reflection of his battered face in the mirror). We, too, must learn to see the human being underneath the spiteful and vicious (if somewhat the “loveable rogue”) in Melvin.

The theme is developed sensitively and beautifully throughout the course of the film (perhaps only slightly overlong at more than two hours), with help coming from a fourth character, Verdelle, a dog, whose pivotal role in the narrative is easily overlooked (standing in the same cinematic tradition as Toto of “The Wizard of Oz”). By the end of the film, we are aware that the big issues in the character’s lives are still to be totally overcome, but the process of resolution has begun as it should, with the characters each recognizing the dignity and worth of the others (and themselves).

James L. Brook’s delicate direction carefully avoids excessive sentimentalism and saccharine sweetness (though admittedly, it teeters perilously close to the edge at times), and results in one of the most charming and profound comedies of recent years.

Download The Reader Online

March 16th, 2010 by lucia9916719
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Movie Title: The Reader
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The film:

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“The Reader” deserved its Oscar for best actress, but it also deserved the Oscar for best film (it lost to the inferior “Slumdog Millionaire.”) It tells the tale of a young man growing up in post-war Germany who has an affair with a mysterious older woman. Without spoiling too much, the story ends up touching on the holocaust, how much we can blame participants, and whether or not love transcends these historical pains.

Normally, I dislike holocaust films. I find that Hollywood too often beats us over the head with the “it’s BAD” message (This Just In! Hollywood Geniuses Discover Holocaust Was Bad!) as opposed to mining the much more interesting tales of personal struggle, loss, redemption, and ignorance. “The Reader” offers an intelligent, probing, and insightful look at the human costs on those who were not direct victims, and on the society of post-war Germany at large. It also tells a heck of a love story, to boot.

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I felt so respected by the makers of this film. There is no heavy-handed moralizing, in fact, the message of the film seems to be that, while of course there are great moral wrongs that have been perpetrated, there are lesser consequences which do not make it into history books, but do have an impact on real people and deal them real pains that ought to be respected.

As mentioned in other reviews, this is not a movie for the kids, at least not kids who still titter when they see nudity on screen. The first half of the film is consumed by a lusty affair between a 32 year old and a 15 year old. It’s not for immature audiences.

The Blu-Ray:

On the opening scene, I thought this film must be shot on digital. The source was just too clean, with little to no film grain in evidence. Upon further research, however, I have discovered that it was indeed shot on Kodak Vision2 and Vision3 film – which Kodak advertises as producing less grain in low light and in general. Given this, and the fact that detail is generally so strong in this image, I can only assume that this Blu-Ray has been mastered without excessive Digital Noise Reduction.

It is a lovely 1.85:1 image which suits nice widescreen displays beautifully. Black levels are strong, loads of detail is evident in shadows, and colors are extremely naturalistic. There are many moments that offer the sort of “3-D” realism that the best HD can give. The quality of the image adds immediacy and impact to the already involving film.

Audio is very dialogue driven. This is not a BD that will rock your neighbors.

Extras are very strong. 42 minutes (!) of deleted scenes are presented in 480p widescreen. I watched them all, and I would say only one cut was truly unfortunate – a little bit of backstory for Michael’s law professor that would have added depth to the story. Mini-documentaries are also available, touching on the writing and casting process, as well as Kate Winslet’s aging with make-up. Overall, it’s a very strong slate of extras.

*********

Any fan of serious dramas and romances would do quite well to pick this up. It’s a truly great movie that is very affecting and also thought provoking. It’s a monument to respecting the viewer, allowing them to digest complex morality without beating them over the head with a “message.” I would compare it to films like “The English Patient” or “I’ve Loved You So Long” (another 2008 Oscar Nominee).

It is also presented in an exceedingly beautiful HD transfer and a strong package of extras. Certainly, if you’re doing a survey of 2008 Oscar nominees, you should pick this up over the trite, pat Hollywood fare of “Slumdog.” It’s also better than the very good, but somewhat flabby “Benjamin Button,” and the excellent, but not as brainy “Milk.” I can’t recommend it enough.

To be clear from the beginning, this is not a movie for family viewing. Throughout much of the early portions of the film viewers are treated to relatively graphic nudity for both Kate Winslet and the young man (David Kross) that plays the younger version of Ralph Fiennes.

The film covers the tale of Hanna (Winslet) and Michael (Fiennes/Kross) and their relationship and lives. The setting is NOT World War II, but is actually post WWII, starting in 1958, as well as portions set in the 60’s and 70’s, up thru the 1990’s.

Rather than spoiling the story, I’ll stop providing details on the story there, and simply say it is quite interesting. The story is based on a best-seller by Bernhard Schlink, and the filmed version features an award winning performance by Kate Winslet (Academy Award and Golden Globe). On Blu-ray the film looks beautiful showing excellent detail and clarity. The audio quality is also excellent though the film is not an action-thriller and doesn’t feature the typical booming explosions and sound effects.

Most definitely worth viewing, but again not something that most families would screen around younger family members. The R rating is most definitely deserved for the graphic nudity. The language is actually surprising clean as the film focuses on the story rather than mixing in profanity just for shock value. Not necessarily a film that will be watched repeatedly, but definitely a film worth viewing.

Download The Olympic Series: Golden Moments 1920-2002 Online

March 15th, 2010 by lucia9916719
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Movie Title: The Olympic Series: Golden Moments 1920-2002
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As far as price goes, this DVD collection is a good deal–3 discs for about $20.

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But you do get what you pay for–the documentary itself lacks coherence, it feels rushed. They pack in many highlights, perhaps too many. Performances are not shown in their entirety, which is important when it comes to more artistic sports like figure skating and gymnastics.

There is one glaring ommission from this collection–the 1996 Women’s Gymnastics Team (aka the “Magnificent Seven”) is not included, nor is Shannon Miller (the most decorated US gymnast who finally won her golds in 1996) or Kerri Strug. It’s a shame, really.

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I do recommend this DVD, but more of an introduction or overview. It is not a definitive Olympic collection by any stretch.

I am mostly a track enthusiast, so can hardly comment on the ice Olympic events. This DVD is over 6 hours long, containing many of the outstanding performances, including Jesse Owens, Bob Beamon’s magnificent world record breaking by nearly 2 feet in the long jump at in 1968 in Mexico (Beamon broke down into a seizure, not believing what he had just done…the delay in the result was because the length of his leap was beyond the measure of the equipment), Boxing’s Teofilo Stevens of Cuba, winning gold 3 times consecutively at the superheavyweight, Uganda’s John Akii-Bua (RIP) becoming the first to run under 48 seconds at the 400 meter hurdles, Lee Evans in 1968 becoming the first man under 44 seconds in the 400 meters (the black power salutes by Tommy Smith and John Carlos are not left out), Cuba’s Alberto Juantorena becoming the first Cuban track gold medallist when he won in (and first man ever with golds at both Olympic events)both the 400 and 800 meters run. The list goes on and on. These are brief defining and emotional moments that include many other gold performances by such greats as Kip Keino at 1500, Abebe Bikila in the marathon, Florence Griffith Joyner, Jackie Joyner Kersee, Herb Elliot, Sebastian Coe, Edwin Moses, Haile Gebresellasie, Al Oerter (RIP) winning 4 consecutive golds at the discus, etc. This DVD is constructed to display significant wins of the games, and any viewer will likely wonder why some of the highlights are ommitted. Yet, the DVD captures many amazing moments of the Olympics, well worth more than the approximately $10 i bought the DVD. Notably, Michael Johnson who holds both the 400 and 200 meter records is missing in the highlights (though images of him are displayed in the openings). In 1996, Johnson won the 200 meters in a record that may hold for many decades to come…19.32 seconds (if I am not mistaken). Johnson, an alumnus of Baylor University in Texas, has also run the most sub-44 seconds 400 meter runs. I will alwasy treasure this limited edition DVD

Download Poolhall Junkies Online

March 14th, 2010 by lucia9916719
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Movie Title: Poolhall Junkies
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Gregory Mars Martin (Callahan), aka Mars Callahan, has given us a chunk of his heart, and great waves of youthful enthusiasm. Callahan, an accomplished pool player, and his hustler buddy Chris Corso, wrote this screenplay. It was shopped around for over ten years, and now it has emerged as a sterling Indie; something to aspire to. It was filmed in Salt Lake City, but little was made of that. It could have been any large city.

His directorial style is sideswipe close to that of Edward Burns; urban, hip, gritty, and intelligent. Hopefully Callahan has some other ideas, and he will follow up with new projects.
Callahan obviously loves movies, and he has given himself the lead part; Johnny Doyle. As it turns out, he is a gifted actor. Roger Ebert called him,” McQueen cool.”. Another critic, a cretin, called him,” Vince Vaughn lite.”. Ebert wrote further,
” This is a young man’s film, humming with the joy of making it.”.

One can’t help but to notice when Callahan makes his first appearance on the screen that he does have a tall lanky hip young Christopher Walken persona. Brilliantly for the film, Walken himself was cast in the movie. In an early scene, when he and Walken share the frame, Walken said,” I noticed you right away; the hair. Are we related ? ” The movie is laden with other movie-lover’s moments; tongue-in-cheek and over the top.

If a person likes to shoot pool, this film will be smoky eye candy. The cons, the chatter, the grifts, and the trick shots; all slip by smoothly. You can hear the echo in the pool room, and smell the chalk, the felt on the tables, and the cigar smoke. You hear those ceramic balls crash together in a macho symphony of staccato clanks; and what a lovely sound it is. Callahan in voice over in the preface, speaks of Johnny Doyle,
” The cue was part of his arm, and the balls had eyes. And he really believed that he couldn’t miss.”.

With Callahan in the lead, speaking his own written dialogue, one senses more immediacy, more reality in the pool hall scenes. As a director, he scored well, landing four heavy hitters in the casting; Walken as uncle Mike the millionaire, Chazz Palminteri as Joe the hustler, Rod Steiger as Nick the owner of the pool hall, and Rick Schroder as Brad the shark. Alison Eastwood was fine, as well, as Johnny’s ladyfriend, Tara. This modest little film has all the grit, the validity, and the sting of THE HUSTLER, and in some subtle ways it scores higher than the Scorsese opus THE COLOR OF MONEY.

The plot, far from original ( a young man becomes a pool hustler, but learns to hate the con and yearns for the validation of turning professional), never the less is engaging in Callahan’s capable hands. We can not help but care about Johnny Doyle. We want him to get his girlfriend back, and get revenge on the vicious hustler that ruined his life, working him like a pool whore, and then nearly breaking his left wrist in reprisal; and we want him to beat the daylights out of the stoic stud pro-ringer pool shark; and we want him to renew the faith that the pool hall owner has always had in him; and we want him to get his younger brother out of jail (Michael Rosenbaum), who got himself deep into a jam while trying to emulate Johnny.

Christopher Walken simply in a few brief scenes dominates the screen. He is more relaxed, more dynamic, and more focused in this role than he has been in years. He delivered one classic soliloquy that started with,” Do you ever watch the Nature Channel ?”. This speech will be a highlight for film buffs to review for the next millennium. He is one of a handful of actors, like Harvey Keitel, Tim Robbins, Steve Buscemi, Tim Roth, and Gary Oldman, that supports the notion that film truly is Art, and that Independent Films are the breath of life. For movie actors it used to be that only appearing on stage, doing live theatre in front of an audience, could produce that kick, that adrenilin rush. But now, it seems, that same high can be achieved when a star works cheap and takes chances in the celluloid world of the Indies.

Roger Ebert also wrote that this film was,” enjoyably overwrought, and exuberantly stylish.”; praise from Caesar. It certainly is worth a look. For me it ranks high in the short lexicon of billiard epics.

A street-wise talented pool player missed his opportunity to play in the big time as his mentor decided that he’s better off husting money from the downtrodden. So, the movie fast-forwarded to 15 years later when he’s no better off despite that he’s got a well-to-do paralegal beautiful girlfriend, a poolhall owner who treated him like his own son in the shape of the late Rod Steiger, a loving brother with a bunch of friends who aspired to be like him. By chance, he discovered that all these years, his mentor betrayed him by witholding the truth from him. The relationships soured & they went separate ways. As fate had it, his brother got tangled up with his ex-mentor & he had to play pool for the one last time to save his brother & his honour. The movie happily chugged along & Christopher Walken played the mysterious chap who backed the talented player & helped him to believe in his own self. The message that this movie tried to say is simply: life is what you made it to be. If you keep thinking that you are a loser, you are bound to end up with losers like yourself whilst if you believe that you are a winner, you can escape from the vicious cycle & be someone truly great. Definitely a feel good movie with no pretension. Highly recommended.