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THE INTERNATIONAL is a film that wants to be two kinds of movies at once, and somewhat drops the ball on being either very effectively.
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This tells the anecdote of an anguish by law enforcement officials to bring down The International Bank of Business & Commerce, the IBBC. This bank, we’re told legal from the inaugurate, is enthusiastic in weapons trading and many shady deals moving violent overthrows of governments and so forth. They don’t really originate money off the arms dealing, they develop money handling the debt of the newly emerging governments. They are a ruthless bunch, operating like a dismal intelligence agency…assassinating those who stand in the procedure, bribing others. There is no contrivance to bring them to justice, it would seem, because they have their fingers in every pie, and will extinguish anyone who might glean in their intention.
So first, THE INTERNATIONAL wants to be an “luminous” thriller, with lots of suspense generated by the political and economic machinations of men in business suits talking in hushed tones. We contemplate the reliable guys and the terrible guys both discussing with each other the ramifications of one course of action or another. There is lots of globetrotting, with scenes in Luxembourg, France, Italy, the US & Turkey. These scenes are only moderately inspiring, because in the demolish, the schemes of the bank are only drawn out in the most simplistic terms (the movie wants us to FEEL that everything is richly detailed and complicated, but it really isn’t) . AND, most importantly, the actions of the bank don’t really feel entirely credible. Not that a financial institution wouldn’t align itself with some really abominable guys…but the whole thing really impartial feels like a half-baked Roger Moore-era James Bond kind of set.
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The other half of the movie wants to be an action thriller of the BOURNE ilk. But the action and gunplay and forensic police work is mostly quite staid and uninspired. With one valuable exception. There is a fabulously interpret, visceral and racy gun battle status in the Guggenheim Museum in NYC. Naturally, it relies on the feeble standby that all terrible guys are unpleasant shots and genuine guys seldom miss…but it’s a thrilling, stale sequence that makes the rest of the movie almost worthwhile.
Also worthwhile is the always solid presence of Clive Owen. Here’s a guy who can really act, when given the chance. He can be charming, he can be soulless…but he’s seldom plain (and he’s always vaguely half-shaved…talk about swarthy) . Yet suitable stardom has eluded him, because the truly best material doesn’t go his plot…or when something flat-out smart like CHILDREN OF MEN lands on his lap, no one goes to perceive it. Owen is the true man for THE INTERNATIONAL, though. He’s gracious of handling the talky dialogue. He seems vaguely impatient with all the chatter and politics, and impartial wants to obtain on with taking some people DOWN. And when the action does kick in, he’s not honest an impervious gunslinger…we glance precise terror and right afflict. We possess that he is a hero who COULD score killed. He brings a humanity to the most “Hollywood” of scenes and he brings movie star glamour to the most mundane of scenes. It’s an racy dichotomy.
Owen is the star of the film…no put a question to. He is in nearly every scene, and director Tom Tykwer likes to give us lots of close-ups. But Owen is assisted by a sold supporting cast, including the always welcome Naomi Watts. Her role is seriously underwritten and probably could have been handled by anyone…but it’s nice to stare her anyway. The silky-voiced, menacing Armin Muehler-Stahl also shows up as one of the head honchos from the bank. This guy has THAT character down pat, and he’s also always welcome.
Tykwer can be a tremendous director (Rush LOLA Speed is a propulsive film in the best possible intention) …and the gunfight shows where his legal talents lie. He doesn’t bring considerable zest to the talkier scenes, and I hope someone notices this and gives him a more action-packed thriller to helm.
Overall, I enjoyed THE INTERNATIONAL, but for most of its 118 minutes, I was quite aware that what I was seeing was not going to leave mighty of an impression. It’s a solid but seldom inviting movie. It wants to consider it has captured the flavor of our times, but it isn’t rooted enough in believability. If you like Clive Owen, I’d say it’s worth a view. If you’re not a particular fan…then there’s very itsy-bitsy reason to exhaust time on it. It’s a reach miss.
This film was very well done: Superior Record, Obliging acting, Pleasurable directing and camera work. It highlights one of the things in our society that noone wants to accept: government is not a grand brother that will rob care of you, but an institution. The system not only can be bought, but has been for a long time now. And, this is a very well done film about unprejudiced how that works.
Everyone thinks that the US Constitution is about giving citizens rights, but that is not what it says and not the purpose of it. It is an attempt to limit the power of government so that it doesn’t procure the power to reign over us the map governments in the rest of the world do. But people today have forgotten the simple fact that any organization that is stout enough to lift care of all your needs is large enough to catch all your rights away.
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